So
Gilgamesh told the guardian of Sun Gate: "My way passes trough
pains. The fearing pain of sorrow would be my portion in this life.
Should I live my remaining days with cry and grief? Let me go to the mountain to meet with
Outnapishtim and ask him about the secret of life. Because he has
found it ? Let me pass, so that I may gain life,
too!"
Gilgamesh
9th tablet
Studying mythological literature and reviewing
ancient myths can be very helpful. Of course, if we might not be
trapped in the same bicameral thoughts and attitudes. Rather,
re-determine those factors they were searching for and find ways to
reach them in our contemporary world. A bicameral mind just as what
has been described by Julian Jaynes is
the one confronting with the world and nature and at the same time
carrying past thoughts. Such a mind may not be able to process
freely and directly its own received data trough
five
faculties of perception. A
bicameral mind is always under the shadow of other persons'
perceptions
which are not belonged to it and it has accepted them intentionally
or unintentionally as a part of its own understandings and
inputs.
One
of the most significant and ancient mythical literatures remained
from very old times is Gilgamesh that is from Mesopotamia and may be
regarded as a masterpiece made by Sumerian civilization. Historic
evidences show that Gilgamesh was the fifth king of Orok and the son
of Lougalbanda who ruled Sumerian people (after Noah's great flood)
over 125 years.
This
ancient story goes back to 4000 years ago and its most complete text
was written on 12 cooked clayey tablets. This collection was formed
as poem and discovered in the ruins of Ashurbanipal library. Each
one of these 12 tablets consists of 300 lines in 6 columns of course
except the last tablet which is added to the collection and is
apparently shorter than previous tablets.
The
myth tells us that Gilgamesh was a tyrant king and also an athlete.
He was a semi heavenly filled with gods and human's characters. The
story begins with Gilgamesh's works and victories introducing him a
great man in the fields of science and wisdom. He could forecast
storms. The death of his intimate friend Enkido disturbed him very
much and Gilgamesh went on a long and hard trip to find eternity.
Then he returns tiredly and hopelessly writing his travel story on
clayey tablets.
By
studying this mythical work we understand that the secret
contemporary human tries to find is exactly what the old and ancient
people seeking for: Eternity or a kind of life without
death.
Gilgamesh's
efforts for finding the secret of life and his arrival before the
gate of darkness, talking to guardians and walking within the
valleys of darkness are vivid signs of this long
ambition.
If
we confront with the idea of "how to eternize human" in Gilgamesh
epic, the same idea can be found in the exhaustless efforts of
genetics scientists and physicians who are trying to prolong humans
lives and ages trough conquering diseases such as cancer and etc..
The hero of Gilgamesh epic is not human but the gods of nature
appeared in a man. In our modern era we may also find scientists who
do godly activities by manipulating genetic characteristics and
properties within living cells.
In
considering human capabilities and potentials and love for life and
endless effort to conquer death, Gilgamesh may be regarded as
important as our contemporary scientists' admirable works in
defeating the death and enduring people's health and age. Gilgamesh
can be a genetics scientist who has found the origin of life and
instead of walking in the valleys of darkness looks into the inner
space of cells trough electronic microscopes. An ancient desire is
becoming realized in our age and time.
Gilgamesh
told the Sumerian man: "I didn't find life.", but the genetics
scientist or physician tells: "We have found the drug for cancer."
Stress, anguish, adventurism and evolutionism of Gilgamesh may be
found in contemporary scientists and physicians. Gilgamesh, who was
ruling the people of Orok city, inspired those scientists who are
ruling cell cores today.
It
is not important what is the identity of the myths or to which land
they belong, what matters is their message for us today and how much
can we get inspiration from them to build our world today and
tomorrow.
It
is completely probable that an eastern myth has the same message for
Western people and vise versa. Western and Greek myths such as
Hummer's Odyssey and Iliad may have inspirations for the Eastern
people. It seems that humans have always laid a similar message for
future generations through different ages. This is that the problem
of all of people has been the same: "Eternity".
Yet
many buried and secret treasures of ancient myths are remained
intact. This was a recreation of one of them. The recreation of a
myth is not rebuilding it in the same past form, but redefining its
impacts on modern social environments. These effects can embrace
personal and organizational environments in national and
meta-national aspects making a new image from present and future
conditions. Myths are silent by themselves, but human can vocalize
them and even resurrect them in new forms. An interaction between
the mind of human and myths may be regarded as a factor in
empowering personal creativity.
When
we think about the myths, should we think in the same way that
ancient people thought? Surely not. Naturally we can not and should
not think like them. They were suffering from a bicameral mind.
Perhaps the only positive point in thinking about past people is
determining their ways and methods of thinking. Just as what Dr.
Monshizadeh has told in the beginning Persian of Gilgamesh
translation: "A separated human from nature deprives himself from
the right of living. Perhaps a great portion of efforts made in
20th century was conducted to bring back this natural
right."
If
we accept mythology as an introduction to futurology, then we may
prepare ourselves for real alternative ../images received from future.
These pictures will be probably greater than those ../images appeared
in past nations' bicameral minds. Are you ready for such
pictures?!